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Eddie Redmayne, left, and Alicia Vikander in “The Danish Girl.” CreditAgatha A. Nitecka/Focus Features
The Danish Girl,” Tom Hooper’s new film, is a story of individual struggle that is also a portrait of a marriage. In this respect and others it resembles “The King’s Speech,” Mr. Hooper’s earlier historical drama, a multiple Oscar winner a few years ago. In that case, the union of George VI and Elizabeth, the Queen Mother, was the foundation on which the tale of George’s elocutionary striving was built. Here, the marriage is bohemian rather than aristocratic, but the stakes, while personal, are every bit as profound and consequential as the matters of state that drove the monarch to the microphone.

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